Both quickly settle into more lamentive, lyrical playing. "Sleeping Time (West)" and "Sleeping Time (North)" both begin abruptly with intense, high velocity bowing that for me conjure thoughts of Braxton's "For Composer John Cage" with its gruff and inarticulate fever. His playing throughout is completely free and provides a stark contrast to the more composed work for ensembles that we’ve covered on the blog recently. ![]() ![]() The extended time period over which the collection spans serves as an integral of his methods and techniques, revealing an artist as intent on pushing the limits of his instruments as he is in reveling in their roots and traditional characteristics. ![]() Szilárd Mezei's double album "Sleeping Time/Before Noon" compiles its material from several live solo performances given by the multi-instrumentalist and composer, with the dates on “Sleeping Time” set between 2010 to 2017 and the entirety of “Before Noon” arising from a recital in Novi Sad in 2014.
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